#mary of aragon

[aesthetic-solar-space]

Catherine of Aragon

She was a Spanish Princess. Originally she married Henry's elder brother, Arthur. However when he died in 1502, her marriage was dissolved and she married Henry as he came into power in 1509.

Then come children, right? This is where it gets sad. Catherine had her first pregnancy in 1510, with a stillborn girl. 1511, she bore Henry, Duke of Cornwall who died when he was 2 months old. 1513, a stillborn boy. 1515, she bore another boy, however he only lived a few hours. 1516, she finally bore a healthy girl, Princess Mary. Two years later in 1518 she tried again and had yet another short lived child.

It's said the two truly loved each other, but with time Henry became obsessed with having a son to continue the Tudor dynasty.

Throughout the marriage he took many mistresses. and by the late 1520s, it had become clear Catherine would not be able to bear children any longer. This lead to Henry's obsession with Anne Boleyn growing

At the time Henry was Roman Catholic and at first sought out the pope for an annulment; siting Leviticus Chapter 20 Verse 2. Even with the pope's refusal, Henry separated from Catherine in 1531.

On May 23rd 1533, Thomas Cranmer ruled the marriage between Catherine and Henry null and void.

On May 28th 1533 Thomas pronounced Henry legally married to Anne Boleyn.

Shortly after the marriage Henry sent Catherine away, she would never see Henry or their daughter Mary again.

Shakespeare in a play called her "The Queen of Earthly Queens."

Catherine of Aragon died January 7th 1536

[jaehaeryshater]

England’s Pearl and Their Beloved Queen

Mary I and Katherine of Aragon by @francy-sketches

Guys. I have not been so excited for a commission in my life. I know it’s not ASOIAF so definitely not as anticipated among my friends, but it’s just so well done. I adore Katherine and Mary and this turned out so beautifully. I cannot sing Francy’s praises high enough; after the initial reference pictures I sent her, I did not need to correct anything at all, she completely got the vision.

As anyone who has ever encountered me before will have known, I am incredibly particular about commissions and therefore very involved. I usually like to give pieces I pay for extra thought and historical authenticity. For this piece, I went and looked for available quotes and contemporary accounts of Katherine’s fashion choices. I wanted to make sure from the base of the dress (the farthingale underneath) to the jewelry were all as accurate as was reasonably possible. I did even learn a thing or two, despite my initial intention of just checking to make sure everything I had previously believed was true. For example, I learned that Katherine sometimes wore a flemish hood, which I wouldn’t have thought that would align with her fashion sense; I was proven wrong. I have seen practically all the artworks available to the public that have been confirmed to be Katherine, so I had already guessed black was her favorite color to wear. But I did learn that her other favorites were purple and red. I decided to keep it simple with the black. It’s elegant and regal, black was an expensive color but still is not obnoxiously ostentatious. The jewels around her neckline as taken directly from portraits of her. The pearls seem a mainstay for her, but I did learn that her dresses had many other colored jewels tied into them. I just thought black looked the best. Her dresses were fur-lined, although I would definitely say we took some liberties on what the fur looked. The fur she wore was pretty much exclusively ermine. The sleeves also have true gold, which Spanish royalty traditionally loved (for hundreds of years, by this point, at least). Katherine’s Spanish outfits, of which she had many, definitely collected dust in favor of more traditional English outfits. There’s no indication that she was forced into this, as she did sometimes dress in the Spanish style when it struck her fancy, but it was important for her to present herself as English with English loyalties and priorities in mind. That being said, something as innocuous as gold embroidery, which was not completely foreign to the English court, was definitely something she could implement from back home without seeming like a foreigner. I have pomegranate embroidery on her sleeves, which is more of symbolism rather than something accurate. There’s no proof she ever wore pomegranate embroidery on her sleeve, but her official symbol was of a pomegranate, so I figure that was something important to her.

Katherine’s necklace is obviously a direct copy of the necklace she wears in several of the contemporary artworks depicting. This is pure speculation, but I personally believe that this necklace could have come from old English jewels that had been melted down and repurposed for her. Generally, people weren’t as sentimental in the same way we are today, nor worried about these aspects of preservation, so jewels were melted down and used for other purposes all the time. She also usually wore many strings of pearls, but it just would have looked like too much and would take away from the piece overall, so we decided just to do the necklace. Her gabled hood is also directly taken from her contemporary portraits, the gold and black with the red jewels was what she usually wore. She has a girdle belt with a long string of pearls. Sometimes she would wear a cross at the end or some black jewels that matched her necklace. What’s depicted in this is actually a pomander that turns into a rudimentary clock when it is opened. Katherine is recorded as having one of these; I thought that was very cool. I also asked for her to have some rings. She did have a wedding ring, but I found no description of it, so the artist just did basic gold. She’s wearing two which I think is pretty funny considering she was married twice, of course she wouldn’t have worn two wedding rings, but imagine if she did have the audacity to. Katherine had so much jewelry, more than any of Henry VIII’s wives. She had the royal collection available to her, pieces from Spain, and gifts from Henry specifically made for her. She usually decked herself out as expensively as possible.

Unfortunately, there is basically no information on how Mary dressed as a child. We know her mother dressed her and was having the clothes ordered herself, but beyond that, there’s really nothing available that I could find. I felt that Mary would be dressed similarly to her mother, but I wanted to give her a purple dress because purple fabric was generally the most expensive thing you could buy. I wanted to illustrate how loved and well taken care of she was. She has matching rings with her mother, but no girdle belt or necklace because I’m envisioning her as being 6-9 in this, so I wanted to give her something she could play in. She’s wearing a French hood. Katherine ordered her one in 1520, when she was four. My references on how hers should look is from portraits of her aunts Mary and Juana. I felt that Katherine would probably want to buy a style she was familiar with. Mary’s embroidery is of the Tudor rose. It turned out so beautifully. Similarly to Katherine, there’s no evidence that she actually wore that embroidery, but I wanted some symbolism in there.

My intention with this piece was to show the closeness between Katherine and Mary. Katherine loved Mary with all her heart and showed no outward indication of disappointment that Mary was a girl. She spent more time with Mary than any other highborn individual in this time period that I know of. I wanted to show that Katherine is someone that Mary deeply and completely trusted, even when court could be over the top and crowded, frightening for a child. I feel as if people other themselves from people in the past. People often feel as if people 500 years ago did not care as deeply about their children or weren’t attached to them. I believe this is true in some instances, but generally we are more like the people of the past than we like the believe. As far as any research I’ve done has shown, Katherine loved Mary as much as any mother of our time loves her children.

I believe Francy did a beautiful job, so all compliments go to her, I hope everyone checks out her page to see her amazing work. The caliber of this is unlike the commissions I’ve done in the past. I cannot thank her enough.

I hope this ended up being relatively historically accurate, I’m sure someone will let me know if it’s not haha.

[queenmarytudor]

"Your Loving Mother"

Catherine of Aragon writing to her daughter, Princess Mary c.1533/4.

from Catherine of Aragon: Infanta of Spain, Queen of England, Theresa Earenfight, 2021, page 179

[elizabethan-memes]

I think in the modern period, post sexual revolution, we underestimate the sizzling power of words like 'whore' and 'concubine.'

In Tudor England, the worst thing you can call a woman is a whore. In the modern day it's very rude, but in the Tudor period, people sued over these insults. Call a woman a whore and you may well find yourself in court for slander- especially as it insults her whole family. Call a woman a whore in front of her man or male relatives and you may lose an eye or even end up dead.

Anne's anger about being insulted in this way is not sensitivity or excessive pride on her part. Any woman in her position would have felt equal outrage.

[jamesfrain]

Katherine of Aragon and Mary I in The Tudors requested by @stilltrails

[marytudorqueenofengland]

“Blessed Catherine of Aragon & Princess Mary Tudor (later Mary I of England )”

I wanted to honor the memory of Queen Catherine of Aragon & Princess Mary Tudor. I created a little piece of art inspired by one of the pieces of the Litany of Loreto, which is a series of needlework depicting Virgin Mary. Link to original needlework : https://royal-needlework.org.uk/litany-of-loreto/

[dailytudors]

TUDOR WEEK 2024

It is baaaaack by popular demand!. We are hosting Tudor Week 2024. This is going to be hosted from Monday the 14th of October to Sunday the 20th of October.

The week will go as follows:

Day 1 - Monday, 14th of October:  Your Favourite Tudor (members of the family that were born Tudors). Day 2 - Tuesday, 15th of October: Favourite Tudor contemporary quote about or said by the Tudor family. Day 3 - Wednesday, 16th of October: Best Tudor What If? Day 4 - Thursday, 17th of October: Fancast Your Favourite Tudor Family Member. Day 5 - Friday, 18th of October: Favourite Tudor Iconography (e.g. Tudor Rose, Anne Boleyn's falcon, Jane Seymour's Phoenix). Day 6 - Saturday, 19th of October: Favourite Tudor Couple (could include unmarried couples, e.g., Elizabeth I and Robert Dudley). Day 7 - Sunday, 20th of October: Favourite Tudor-related location.

This can cover all events and media that a Tudor family member is present, so from Owen Tudor to Elizabeth Tudor, and may include spouses and acknowledged children of direct members of the Tudor family (if unsure who we cover please check our Family page). We have attempted to make it as broad as possible and no pressure if you are late with some of the days, we will still reblog.

Previous Years: 2021, 2022, 2023

Be sure to tag your posts TudorWeek2024 and DailyTudors, looking forward to seeing your posts!

The Team at DailyTudors

[janesemel]

Something something mother daughter tea

[flastar13]

I think there is always a problem with Anne Baleyn's locker room in almost any production. It is always the worst dressed among the six queens. Just look at The Six Wives of Henry VIII of 1970

The other wives wear appropriate dresses to the time that is set the series, Catalina de Aragon wears a Spanish fashion dress from the beginning of the 16th century, and Jane Seymour wears a modest green dress as a company lady according to 1636. What do you wear Anne? A series of high fantasy or Elizabethan dresses.

I give a pass to this dress, not only because it is pretty but because Anne is wearing it in a dysphrase dance.

But what about the rest of dresses? Anne became popular in the English court for her great ingenuity and glamorous French style. Henry the height of gifts during and his commitment, and the Baleyn were not poor. Why is your clothes so pesticary? Let's compare with Jane Seymour, who has a similar story. To start the Seymour were much less prosperous than the Baleyn, Jane's father, John Seymour was appointed gentleman on the battlefield by Enrique VII for his services against the rebels of Cornwall in Blackheath on June 17, 1497. Then he was appointed Caballero Banneret in 1513 after the battle of the Spurs. But outside those honors, the family had not risen much. Thomas Baleyn instead had served Enrique VII and had been in the entourage of Margarita Tudor when she went to Scotland. He was appointed Biscount for his own merit in 1525, even before Ana had met Enrique VIII. He was also heir to Ormond County thanks to his mother. Elizabeth Baleyn of single Howard, was the sister of the Duke of Norfolk. With only that information, it shows that the Baleyn were also much richer than the Seymour, apart from having a major noble status, which should be reflected in the clothes they wear.

If we see in the same adaptation, in your home Wolf Hall Jane uses a historically precise country attire, which shows the simplicity and modesty of Jane but also that the Seymour are not so rich to allow them to use the whole day silk but they are still noble to be made of good quality and dyed wool.

His second outfit, when he attends the Court, is more fashionable and is elegant, but it is still simple and modest, reflecting Jane's personal tastes and that his family being low nobility, but the sumptuous laws, he is not going to Cover of jewelry.

Once he became a queen, Jane's dress improves, she is still pale but is very adorned with jewelry, wears an elaborate two waters unlike the French headdress of her predecessor.

The costume designers managed to tell the story of the most boring of Henry VIII's wives, through her clothes. Showing her evolution from the spinster daughter of an unimportant knight, to a lady-in-waiting courted by the king to the queen of England; wonderfully, with beautiful designs that look like they're from the Tudor era. Why can't they do the same with Anne?

The worst thing is that this is repeated constantly, in one of the most recent series based on the reign of Henry VIII, with a wardrobe that is almost exact to the historical period in which the events take place, "Wolf Hall". Okay, the series is from Cromwell's perspective, so they're not going to show us Anne's life before she got mixed up with the secretary's. Anne is already the future wife of the king when she appears. But when she is queen, her clothes only change color; there are no more jewels, no better fabrics, no embroidery and her hood is horrible. Just compare her pink dress that according to her designers is that of "The daughter of a simple gentleman" vs her clothes as queen when she can use better dyes.

They are practically the same, I know that Anne is at that time Henry's girlfriend, but why is her clothing so simple even when she is the queen of England? There are no other jewels on her neckline, she wears no necklaces other than a pearl choker. Why are her dresses not made of silk, brocade and damask, with embroidery? This problem does not exist with Jane Seymour

Her dresses as a lady-in-waiting, reflect her reserved, simple and modest nature. Her clothes and hood are decorated with simple lace and embroidery, not with jewels unlike other noble ladies. The colors are monotonous but with some color inside, almost saying that the lady may look bland on the outside but on the inside she is a force to be reckoned with. She seems to be the spinster daughter of an unimportant family at the moment.

When Henry visits Wolf Hall, Jane wears a dress that is too simple for a visit from a king, but it gives a good idea of ​​what a lesser noblewoman would wear in her home.

As queen, Jane's clothes become more luxurious; more sumptuous fabrics, lavish jewelry and elaborate English headdresses. Rich but conservative, suitable for Queen Jane's character as peacemaker in the English court.

Is it very difficult to do the same with Anne Boleyn? Even in other productions, such as The Other Boleyn Girl, which try to narrate the rise in status and evolution of Anne Boleyn, they repeat the same mistake: the Queen of England continues to dress like a knight's daughter! It's even worse than in Wolf Hall, where at least Anne uses dyes reserved for royalty in The Other Boleyn, she uses the same color palette throughout the film.

There is no big change in her way of dressing, wait there is. Anne stopped wearing horrible dresses that don't look like they were from the Tudor period in England, like that blue dress with a circle print that looks more Italian and the "Cranach" suit. Seriously, the designers forgot that if the Boleyn girls had foreign influence in their clothing, it was French because they both served as ladies-in-waiting in France, not Italy or Germany. Honestly, the only dress in my grade is Anne's green dress.

This is the look of the woman who became a star at the English court. The fabric is green silk or satin, her French hood looks like a French hood and not a Russian tiara. She wears the iconic gold B necklace. It is elegant, sumptuous and French, the look of a Viscount's daughter. The problem is that by attracting Henry's attention, Anne's clothes do not continue to improve, she does not try to look like the real Queen of England, she continues to dress like a simple noblewoman. Only when she is tried and executed, the designers give her clothes that royalty would wear.

The only adaptation based on the life of Anne Boleyn that manages to narrate the evolution of the character through her clothes is Anne of The Thousand Days. Sure, there are some questionable fabric choices, Russian tiaras, lace-up closures in the back, and the belief that Anne only had the pearl necklace with the gold B. But the designs are so pretty that you don't care.

We are introduced to Anne at court dancing with Henry Percy, she wears a beautiful light green damask dress, a gold choker and a French hood. Her look is simple but elegant and fashionable, fitting for the daughter of a notable noble family.

It's no wonder Henry is drawn to her.

At home at Hever Castle, Anne wears a yellow dress, the design is simpler than the one worn at the court ball; the sleeves are wrist-length and there are no jewels at the neckline. But it's made of satin with embroidery, still an expensive but more casual dress. Befitting someone of Anne's social standing, she is not a princess by birth like Catherine of Aragon, but her family is of higher status than Jane Seymour's, the Boleyn girl's clothes are always going to be better at court and in her home than the pale Seymour girl's clothes.

Back at court, now in the king's favour, Anne wears a more elaborate dress and headdress, accessorising with a gold brooch and a jewelled girdle. All gifts from Henry VIII.

She later wears this to dinner with the king, a dress of beautiful blue velvet with gold embroidery. Her hair is loose and decorated with jewels.

As queen she wears a dress of silver and gold brocade. And at a dance a white dress with silver embroidery and pearls and diamonds sewn into the bodice.

She maintains her queenly appearance even when judged, but the colors are somber.

At her execution, her clothing is devoid of ornamentation, simple and dark, very different from the historical Anne who died looking like a queen. But it is understood that she has been stripped of all her power and influence.

This is how Anne's journey should be told, as she rises, her clothes get better. If I were in charge of Anne's wardrobe, I would have her wear designs similar to those in Wolf Hall and the green dress from The Other Boleyn Girl. At home and as casual wear, her clothes would be similar to the yellow dress from Anne of The Thousand Days. Once she starts being courted by Henry, she would continue to enrich her clothes until she reached her highest point as queen. Basically like Jane Seymour but prettier and French style.

[isabelleneville]

♕ @dailytudors: TUDOR WEEK 2024 ♕

Day Three: Best Tudor What If >> 1/2 - ELIZABETH OF YORK LIVES INTO HER SON'S REIGN Elizabeth having recently lost her eldest son and the well-loved heir to the newly minted Tudor dynasty survives the birth of her seventh child and lives. In 1509 her beloved husband Henry VII dies and she was then known as Queen Elizabeth, The Kings Mother as her son Henry had acceded to the throne. Elizabeth took up a position of prominence at court providing a steady, reassured and loving hand in the early years of her son's reign having learnt not only from her own Queenship but from her own late mother-in-law Margaret Beaufort and her own late mother Queen Elizabeth Woodville, supporting not only her son but her daughter-in-law Katherine of Aragon. Once Henry and Katherine's marriage proved fruitful, Elizabeth became a doting grandmother to their children and the children of her daughters Margaret (whom she often visited in Scotland) and Mary taking a more passive role at court comforted in the knowledge her son was secure. She was remembered as a beloved figure not only from the reign of her father, but in her husbands and her son's reigns as well as being a well-loved grandmother of Stuart and Tudor Kings and Queens.

[speedycashherostudent]

Did these last night for fun

[bookshopcrow]

In October, I decided to challenge myself to produce a miniature illustrated painting each day of the month inspired by the Tudor court and the medium of portrait miniatures.

Lucas Horenbout was a Flemish artist and founding artist of the tradition of painting miniatures. He moved to England in the mid-1520s and worked as the court miniaturist to King Henry VIII from 1525 until Horenbout's death. He captured many of the iconic figures of the era and also taught the art of illumination to Hans Holbein, who would go on to eclipse him as the most famous court artist of that era.

A portrait miniature is a miniature portrait painting, usually undertaken in gouache, watercolour, or enamel. Portrait miniatures evolved out of the techniques required to craft the intricate illustrations and borders of illuminated manuscripts, and became popular among 16th century elites. From the middle of the 18th century, the trend spread across the rest of Europe remaining highly popular until the development of photography in the mid 19th century.

For my challenge, I used black ink, water colours, and 300gsm textured watercolour paper. I bought and thrifted some amazing vintage frames, mostly 2 or 3 inches high. Some are over fifty years old, so consequently there are marks and scratches on them but I think it adds to the charm and overall feel of the pieces as historic miniatures.

I'm really proud that I completed the challenge - and all 31 paintings - and wanted to share a few with you here!

You can see them all over on my website 🖤

[soulrestinginstpetersburg]

Anne Boleyn's prayer book

[princessnelrita]

wedding gowns in period dramas [1/?]

adelaide kane as mary stuart in reign alicia vikander as ekaterina "kitty" shcherbatskaya in anna karenina (2012) charlotte hope as catherine of aragon in the spanish princess lily james as ella in cinderella (2015)

[wolfhalledits]

Thomas Cromwell, Princess Mary Tudor and Catherine of Aragon in Wolf Hall — S01E03 'Anna Regina'

[sixaus-meaa]

Six The Musical as Tweets pt64